Lissa M. Cowan
Lissa M. Cowan
Lissa's
Projects
Lissa is working on a graphic novel for middle-grade readers about time travel, distraction, and the transformative nature of art. Her cousin, narrative artist Stephanie Hill, is illustrating the book. Lissa is also working on a "dervish-style" non-fiction book about the deeply personal topic of climate change.
The Untold Worlds of Penelope
Twelve-year-old Penelope (aka “Penny”) is reeling from two devastating losses: her grandmother's death and the loss of her best friend who played a cruel stunt on her. When she travels to Paris to stay with her aunt, she meets the de Charpentier children, whose parents, art-world professionals, have mysteriously disappeared. Together, they unravel the mystery behind their disappearance using visual clues that transport them through the hidden stories and worlds within paintings. More than an adventure, this middle-grade graphic novel tackles the crisis of distraction, showing how art can help to restore focus, heal wounds, and unlock extraordinary possibilities for growth and wonder.
Climate of the Body
Climate of the Body parallels a woman's illnesses over three decades with a planet in crisis. Born on Lake Ontario's chemically contaminated shores in the 1960s, the author explores how environmental toxins wrote themselves into her body decades before she understood their cost. As unpredictable symptoms storm through her system and heat waves intensify worldwide, she discovers that both are victims of industrial excess and human-centred imbalance. Moreover, that healing ourselves and healing the planet aren't separate, but the same sacred work. Throughout the book a fictionalized Mother Earth speaks in poetic, angry monologues as a spirited woman losing faith in humans. Following Rachel Carson's tradition in Silent Spring, this lyrical memoir weaves environmental health research and Indigenous knowledge with intimate observations of a body and world in transition. This reflective, humourous, and startlingly joyous work asks: how might we heal ourselves by mending our vital kinship with the natural world?